I really love the singing on Friday nights and feel so much more spiritual than in other services. What is it that we are singing?

One of the greatest Jewish teachers of the 20th century, Rabbi Abraham Joshua Heschel, wrote that “the higher goal of spiritual moments is not to amass a wealth of information, but to face sacred moments.” His 1951 book, “The Sabbath: Its Meaning for Modern Man,” is a master work of poetry in prose, and in it he suggests that we can face the weekly sacred moment of Shabbat and better sanctify our lives by “sens[ing] the grandeur of what is eternal in time” (page 6).
Traditionally, there are seven psalms that are recited during Kabbalat Shabbat, each one symbolizing one of the days of the week that has passed. Then we come to the spiritual climax of Kabbalat Shabbat, the “Lecha Dodi.”
The mystical city of Tz’fat in Northern Israel was the setting for 16th-century Rabbi Shlomo HaLevi Alkabetz to write the liturgical poem “Lecha Dodi.” Since then, it has been sung by Jews to welcome the “Sabbath bride” using a metaphor of marriage between the Jewish people and God that occurs on the seventh day. The refrain repeats: “Go forth, my love; let us greet the bride! Let us welcome the Shabbat!” “Lecha Dodi” speaks of our renewed connection to God, which we may have lost a little bit during the hectic rushing of the other days of the week. It also symbolizes a repaired world—the ancient rabbis imagined that Shabbat would be a “taste” of the Garden of Eden, a perfect paradise, in contrast to the other six days, when we are well aware of the brokenness of our world, which is symbolized by our work during those days.

Rabbi Andrew Vogel is the rabbi at Temple Sinai, a Reform synagogue in Brookline.
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